An epistemology of beauty
Why I still love Glenn McDonald's writing, post The War Against Silence:
There are three classes of the acted-upon and the acting: objects, creatures and artists. Objects have no value except as they benefit creatures or express the work of artists, and perform no act except in response. Creatures are to be respected and defended and delighted, and acknowledged in their free will, but not burdened with responsibility or solicited for decisions. Artists are the source of all authority and the ultimate ends of all means. Humans are sometimes artists but always at least creatures. Machines and systems and programs (and policies and corporations and governments and precepts, including these) are never more than objects. The first obligation of any designed system is to be obsessively devoted to the intricate cognizance of these boundaries.
There are three classes of the acted-upon and the acting: objects, creatures and artists. Objects have no value except as they benefit creatures or express the work of artists, and perform no act except in response. Creatures are to be respected and defended and delighted, and acknowledged in their free will, but not burdened with responsibility or solicited for decisions. Artists are the source of all authority and the ultimate ends of all means. Humans are sometimes artists but always at least creatures. Machines and systems and programs (and policies and corporations and governments and precepts, including these) are never more than objects. The first obligation of any designed system is to be obsessively devoted to the intricate cognizance of these boundaries.
