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Friday, January 23, 2004 

Touching from a distance

"[Hannett's] pioneering use of delay made Joy Division's barbed, jarring threats seem impossibly remote, like atrocities viewed through the lens of a camera."

Wow. Eric Carr at Pitchfork has an excellent, excellent review of the new Joy Division live box set up.



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Ian Mathers is a freelance writer whose work has appeared in Stylus, the Village Voice, Resident Advisor, PopMatters, and elsewhere. He does stuff and it magically appears here.

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