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Tuesday, February 07, 2006 

Diagnosis of a foreign frame of heart

Just watched the new episode of House. We're at an interesting point in the series; the problem has been lengthily exhumed, dissected and pinpointed (to quote Wilson: "Being miserable doesn't make you better than anyone else; it just makes you miserable", or to quote Chateaubriand, "One is not superior merely because one sees the world is odious"). Now we see whether they keep going at it ad nauseum, in which case House will at some point no longer be my favourite current TV show.

Or else they have to solve it.

I can definitely go weeks without watching House, until the mood strikes again. Every episode is the same--reassuring, but not typical of American shows. Oddly it reminds me of "As Time Goes By"--have you seen that?

No, what's it about?

We're reaching the point where enough has happened (particularly the last couple of episodes) that every episode can't be the same without something starting to be lost.

I think what especially intrigues me right now is that they've hit the point where, as I say, either they're going to fall into a rut, or they're going to pull a Preacher. That, after all, started out as better-than-normal genre fiction that transmuted into something altogether deeper and about something completely different than we thought it was going to be about: Friendship. House has the potential to do something similar, to go from better-than-normal genre fiction to an actual, compelling and consequential character arc for House. We all know what's wrong with him, including House - but for them to do anything about it, the creators will need to be willing to end it. And not all TV shows are willing to do that. I don't care how many seasons they do it in, but soon I'm going to need to start seeing some indication they're moving towards a resolution, or at least the possibility of one.

The medical stuff could probably go indefinitely, but the character stuff has had a beginning and progress and needs an end eventually.

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Ian Mathers is a freelance writer whose work has appeared in Stylus, the Village Voice, Resident Advisor, PopMatters, and elsewhere. He does stuff and it magically appears here.

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