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Monday, March 13, 2006 

What differentiates art from conversation

It's been an, ahem, "busy" weekend (I am not an alcoholic), but things seem to be slowly going back to normal. I'm finally getting caught up on my reading, and stumbled upon this absolute gem from glenn mcdonald:

[I] am adding "Right Here in My Arms" to my not-formally-compiled but I'm sure pathetically short list of internally brilliant music videos. It's brilliant enough that I can tell you what's brilliant about it without you having seen it. Structurally it's mostly a performance video, staged inside and outside of a room whose walls are one-way mirrors transparent from the outside in. The band is inside the room. A girl is outside. She is watching the band, and sees them watching her back. They see and are watching nothing but themselves. She presses herself against her side of the glass, while Ville Valo writhes against his reflection. He doesn't know she's there, and she doesn't know he doesn't know... her contact is a delusion, and an artifice, but her experience of her contact is real.



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Ian Mathers is a freelance writer whose work has appeared in Stylus, the Village Voice, Resident Advisor, PopMatters, and elsewhere. He does stuff and it magically appears here.

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